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Theatrical equipment
MATERIAŁY INSCENIZACYJNE TÜCHLER
THEATER PHOTOGRAPHY
W ramach naszej działalności realizujemy się również w zakresie fotografii teatralnej: photo-oto.com and photo-oto.com/spektakle/
NEWS - BLOG
RĘKOPIS ZNALEZIONY W SARAGOSSIE w Teatrze Polskim
OJCIEC w Akademii Teatralnej
Historia Henryka IV… w Teatrze Polskim
PANNA JULIE w Teatrze Polskim
GRA SNÓW w Teatrze Narodowym
OPOWIEŚCI LASKU WIEDEŃSKIEGO w Teatrze Narodowym
ANTIGONE AT THE POLISH THEATRE
Interview with Julia Bielinska, Maja Anna Kowalska and Sandra Naum
INTERVIEW WITH NATALIA STAHIRA
WITH A HAND ON HIS THROAT ... IN THE MODERN THEATER
THE MISANTHROPE AT THE NATIONAL THEATRE
BOOKS OF JAMES AT THE NATIONAL THEATRE
CONVERSATION WITH ANNA SOROKA-GRIN
END-OF-SEASON CONVERSATION
AMADEUS AT THE DRAMA THEATER
photography theatrical
karnawał wenecki
My Passions
I am passionate about photographic work documenting the entire creative process from the first reading rehearsal to the premiere.
In February 2015, I completed a multi-stage project in which I documented with my camera the entire creative process of the Machulski Acting School's graduation performance 'Cold Child'. The play was written by the popular German playwright and dramatist of the younger generation, Marius Von Mayenburg. The performance was directed by Krzysztof Ogłoza, a teacher at the Acting School.
Between 13.03 - 17.05.2018, with my camera, I assisted all rehearsals of the play "The King" based on the novel by Szczepan Twardoch, adapted by Paweł Demirski, at the Polish Theatre in Warsaw. The play was directed by Monika Strzępka.
The process of switching from halogen bulbs to led sources is lengthy and very expensive. Specialised halogen bulbs for theatre luminaires are still being manufactured. It is worth keeping traditional theatrical luminaires in good condition, especially those that are no longer manufactured and access to spare parts is limited. Take care of the optics, through necessary maintenance, keep luminaires clean
A meeting place for the world's new technologies and creators is SCENA JUTRA, organised each year by the Grand Theatre National Opera and PROLIGHT. SCENA TOMORROW connects the world of artists with the world of technology.
Common uses are welded screens made of flame-retardant PVC film for front and rear projection, seamless flame-retardant cotton tulle, seamless flame-retardant cotton fabric.
Platforms of aluminium construction with waterproof, non-slip panels, i.e. those that are fire-resistant, operated on stages and theatre auditoriums and outdoors.
Theatres should strive for moving heads that are highly efficient, creative and economical to operate, reusable with replaceable LED blocks, quiet, with high colour rendering.
You can message me now.
Enterprise
Design & Services
here Tomasz Ostrowski
phone number:+48 601 317 181
phone number:+48 601 236 825 tel. +48 22 853 58 55
tomasz.oto@gmail.com
02-787 Warsaw,
3 Arkadova Street
TIN: RU 5210443137