{"id":16246799,"date":"2022-07-24T11:16:04","date_gmt":"2022-07-24T11:16:04","guid":{"rendered":"https:\/\/creativeillusions.com.au\/?page_id=16246799"},"modified":"2023-11-19T14:09:48","modified_gmt":"2023-11-19T14:09:48","slug":"moje-pasje","status":"publish","type":"page","link":"https:\/\/oto-teatr.tv\/en\/moje-pasje\/","title":{"rendered":"My Passions"},"content":{"rendered":"

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Moje \u017cycie po\u015bwi\u0119ci\u0142em teatrowi<\/p>\n

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My Passions<\/h1>\n

[\/et_pb_text][dipi_breadcrumbs bc_home_icon=”on” bc_home_color=”#ff4200″ bc_items_alignment=”dipi-bc-center” bc_separator_size=”20px” bc_separator_color=”#ffffff” bc_separator_space=”0px” bc_item_bg_color=”#ffffff” bc_item_padding=”7px|18px|7px|18px|true|true” bc_active_item_color=”#15022a” bc_active_item_padding=”8px|20px|8px|20px|true|false” bc_hover_item_bg_color=”#ff4200″ disabled_on=”on|off|off” _builder_version=”4.17.6″ items_font=”Poppins|600|||||||” items_text_color=”#15022a” hover_text_color=”#ffffff” active_font=”Poppins|600|||||||” active_text_color=”#ffffff” width=”100%” max_width=”1100px” module_alignment=”left” custom_margin=”40px||20px||false|false” custom_margin_tablet=”25px|0px|-25px|0px|false|false” custom_margin_phone=”25px|0px|-25px|0px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”|||30px|false|false” custom_padding_tablet=”|||30px|false|false” custom_padding_phone=”|||0px|false|false” custom_padding_last_edited=”on|phone” active_font_size_tablet=”12px” active_font_size_phone=”12px” active_font_size_last_edited=”on|phone” border_radii_items=”on|100px|100px|100px|100px” border_radii_active=”on|100px|100px|100px|100px” box_shadow_style_items=”preset1″ box_shadow_style_hover=”preset3″ box_shadow_style_active=”preset1″ locked=”off” global_colors_info=”{}”][\/dipi_breadcrumbs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Approach” _builder_version=”4.18.0″ custom_margin=”||0px||false|false” custom_padding=”24px|0px|0px|0px|false|false” bottom_divider_flip=”horizontal” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”2px|auto||auto||” custom_padding=”9px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” custom_padding_tablet=”|40px||40px||true” custom_padding_last_edited=”off|desktop” global_colors_info=”{}” padding_tablet=”|40px||40px||true” padding_last_edited=”off|desktop” custom_padding__hover=”|||”][et_pb_image src=”\/\/i1.wp.com\/photo-oto.com\/wp-content\/uploads\/2021\/02\/Tomasz_Ostrowski1.jpg” title_text=”Tomasz_Ostrowski1″ align=”center” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.17.6″ width=”30%” custom_margin=”30px||||false|false” custom_margin_tablet=”0px|0px|0px|0px|true|true” custom_margin_last_edited=”off|desktop” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”5%” border_radii=”on|240px|240px|240px|240px” box_shadow_style=”preset2″ box_shadow_color=”rgba(0,0,0,0.25)” animation=”top” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.18.0″ max_width=”1080px” custom_padding=”10px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_tabs _builder_version=”4.19.4″ _module_preset=”default” tab_font_size=”17px” tab_letter_spacing=”1px” tab_line_height=”2em” custom_padding=”54px|80px|54px|80px|true|true” box_shadow_style=”preset1″ global_colors_info=”{}”][et_pb_tab title=”PO POLSKU” _builder_version=”4.19.4″ _module_preset=”default” body_font=”Karla||||||||” body_text_align=”justify” body_text_color=”#000000″ body_font_size=”18px” body_line_height=”1.4em” custom_padding=”||70px||false|false” global_colors_info=”{}”]<\/p>\n

Od najm\u0142odszych lat zakochany w teatrze swoje \u017cycie po\u015bwi\u0119ci\u0142em teatrowi. Studiowa\u0142em indywidualnie \u201eO\u015bwietlenie teatralne\u201d (w\u00f3wczas nieznany kierunek studi\u00f3w w Polsce) r\u00f3wnolegle podejmuj\u0105c prac\u0119 w Teatrze Syrena a nastepnie w Teatrze Polskim. W Teatrze Polskim pracowa\u0142em 10 lat. P\u00f3\u017aniej pracowa\u0142em w Teatrze Narodowym.<\/p>\n

Przygotowywa\u0142em opraw\u0119 \u015bwietln\u0105 wielu spektakli premierowych Teatru Polskiego w Warszawie. Jako g\u0142\u00f3wny in\u017cynier (Teatr Polski) i dyrektor techniczny (w Teatrze Narodowym) nadzorowa\u0142em przygotowanie opraw scenograficznych do wielu spektakli. Wsp\u00f3\u0142pracowa\u0142em z wieloma znakomitymi inscenizatorami i scenografami m.inn.: Maciejem Z. Bordowiczem, Kazimierzem Dejmkiem, Adamem Hanuszkiewiczem, Augustem Kowalczykiem, Mariuszem Chwedczukiem, Adamem Kilianem, Marianem Ko\u0142odziejem, Andrzejem Kre\u00fctz-Majewskim, Krystyn\u0105 Meissner, Tadeuszem Mincem, Ann\u0105 Minkiewicz, Krzysztofem Pankiewiczem, Micha\u0142em Pawlickim, Janem Polewk\u0105, Maciejem Prusem, Jerzym Rakowieckim, Teres\u0105 Roszkowsk\u0105, Andrzejem Sadowskim, Janem Skotnickim, J\u00f3zefem Szajn\u0105, Zofi\u0105 Wierchowicz, Ryszardem Winiarskim,\u00a0 Xymen\u0105 Zaniewsk\u0105 i z wieloma innymi.<\/p>\n

W czasie stanu wojennego, gdy teatr zosta\u0142 ca\u0142kowicie upolityczniony, stwierdzi\u0142em, \u017ce dla teatru wi\u0119cej mog\u0119 zrobi\u0107 nie b\u0119d\u0105c w teatrze. Doprowadzi\u0142em do powstania firmy OTO (www.oto.teatr-tv) zajmuj\u0105cej si\u0119 projektowaniem i wyposa\u017ceniem teatr\u00f3w oraz obiekt\u00f3w widowiskowych. W okresie 30-letniej dzia\u0142alno\u015bci zrealizowali\u015bmy bardzo wiele projekt\u00f3w. Jeden z naszych projekt\u00f3w na sal\u0119 teatraln\u0105 w kopalni Soli w Wieliczce wraz 4 innymi projektami niekonwencjonalnych polskich scen teatralnych, otrzyma\u0142 srebrny medal na \u015bwiatowej wystawie Scenografii i Architektury Teatralnej Praskie Quadriennalle. Wi\u0119cej informacji w dziale O FIRMIE.<\/p>\n

Przygotowa\u0142em opraw\u0119 \u015bwietln\u0105 6 kolejnych polskich ekspozycji \u015awiatowej Wystawy Scenografii i Architektury Teatralnej Quadriennale w Pradze.<\/p>\n

Wraz z zespo\u0142em OTO przygotowa\u0142em i realizowa\u0142em opraw\u0119 techniczn\u0105 (o\u015bwietlenie, nag\u0142o\u015bnienie) Polskiego Pawilonu na Expo 2000 w Hanowerze i obs\u0142ug\u0119 wszystkich wydarze\u0144, kt\u00f3re odbywa\u0142y si\u0119 tam ka\u017cdego dnia przez okres 6 miesi\u0119cy. Przy realizacji expo 2000 wsp\u00f3\u0142pracowa\u0142em ze znakomitymi scenografami: Andrzejem Kre\u00fctz-Majewskim oraz Borisem Kudliczk\u0105, autorami projektu Polskiego Pawilonu.<\/p>\n

Fotografia towarzyszy\u0142a mi zawsze, w pewnym okresie ukierunkowa\u0142em j\u0105 na fotografi\u0119 teatraln\u0105. Pozwoli\u0142o mi to na po\u0142\u0105czenie moich dw\u00f3ch najwi\u0119kszych pasji: teatru i fotografii. Realizuj\u0119 r\u00f3\u017cnorodne projekty fotograficzne o tematyce teatralnej. Chcia\u0142bym mi\u0142o\u015bnikom teatru przybli\u017cy\u0107 kulisy teatru, prac\u0119 aktora nad rol\u0105, proces tworzenia spektakli, zanikaj\u0105ce rzemios\u0142a teatralne oraz pokaza\u0107 tw\u00f3rc\u00f3w teatru przy pracy\u2026<\/p>\n

W mi\u0119dzyczasie uko\u0144czy\u0142em studia podyplomowe na Uniwersytecie Humanistycznym SWPS \u2013 Laboratorium Nowych Praktyk Teatralnych (modu\u0142y: Dramaturgia, Nowatorskie Praktyki Artystyczne, Producent\/Kurator, Teatr jako projekt oraz nowe technologie i j\u0119zyki<\/em>).<\/p>\n

Ucz\u0119szczam na pr\u00f3bach prasowych przed nowymi premierami. Cz\u0119sto moim projektom fotograficznym b\u0119d\u0105 towarzyszy\u0142y rozmowy z tw\u00f3rcami, aktorami, tancerzami i specjalistami teatralnymi. Wykonuj\u0119 zdj\u0119cia w czasie spektakli, w czasie pr\u00f3b czytanych, pr\u00f3b sytuacyjnych oraz pr\u00f3b generalnych: https:\/\/photo-oto.com<\/a> i https:\/\/photo-oto.com\/teatr\/<\/a> .
Pasjonuje mnie praca dokumentuj\u0105ca ca\u0142y proces tw\u00f3rczy od pierwszej pr\u00f3by czytanej do premiery. W lutym 2015 zako\u0144czy\u0142em wieloetapowy projekt fotograficzny w kt\u00f3rym z aparatem fotograficznym dokumentowa\u0142em ca\u0142y proces tw\u00f3rczy spektaklu dyplomowego Szko\u0142y Aktorskiej Machulskich \u201eZimne dziecko\u201d.\u00a0 Autorem spektaklu jest popularny dramatopisarz i dramaturg niemiecki m\u0142odego pokolenia Marius Von Mayenburg. Re\u017cyserowa\u0142 spektakl Krzysztof Og\u0142oza, pedagog Szko\u0142y Aktorskiej.<\/p>\n

Between 13.03 - 17.05.2018, with my camera, I assisted all rehearsals of the play \"The King\" based on the novel by Szczepan Twardoch, adapted by Pawe\u0142 Demirski, at the Polish Theatre in Warsaw. The play was directed by Monika Strz\u0119pka.<\/p>\n

Od lat kondycja teatr\u00f3w s\u0142abnie, a przez ostatni rok pandemii COVID-19 krytycznie si\u0119 pogorszy\u0142a, dlatego te\u017c stworzy\u0142em i prowadz\u0119 PRO BONO grup\u0119 TEATR (https:\/\/www.facebook.com\/groups\/919333224793302<\/a>) pod has\u0142em RATUJMY TEATRY, kt\u00f3ra wspiera aktywno\u015b\u0107 teatr\u00f3w i artyst\u00f3w teatru w ich walce o przetrwanie.<\/p>\n

Tomasz Ostrowski<\/em><\/p>\n

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From an early age in love with theater, I dedicated my life to theater. I studied individually „theatrical lighting” (at that time an unknown field of study in Poland) at the same time taking a job at the Syrena Theater and then at the Polish Theater. I worked at the Polish Theater for 10 years. Later I worked at the National Theater.<\/p>\n

I prepared the lighting design of many premiere performances of the Polish Theater in Warsaw. As chief engineer (Polish Theater) and technical director (at the National Theater), I supervised the preparation of the stage settings for many plays. I worked with many outstanding stage designers and scenographers, including Maciej Z. Bordowicz, Kazimierz Dejmek, Adam Hanuszkiewicz, August Kowalczyk, Mariusz Chwedczuk, Adam Kilian, Marian Ko\u0142odziej, Andrzej Kre\u00fctz-Majewski, Krystyna Meissner, Tadeusz Mincem, Anna Minkiewicz, Krzysztof Pankiewicz, Micha\u0142 Pawlicki, Jan Polewka, Maciej Prus, Jerzy Rakowiecki, Teresa Roszkowska, Andrzej Sadowski, Jan Skotnicki, J\u00f3zef Szajna, Zofia Wierchowicz, Ryszard Winiarski, Xymena Zaniewska and with many others.<\/p>\n

During martial law, when the theater was completely politicized, I found that I could do more for the theater without being in the theater. I led to the establishment of OTO (www.oto.teatr-tv), a company dedicated to designing and equipping theaters and performance venues. During our 30 years in business, we have completed a great many projects. One of our projects for a theater hall in the Wieliczka Salt Mine, along with 4 other projects for unconventional Polish theater stages, received a silver medal at the Prague Quadriennalle world exhibition of stage design and theater architecture. For more information, please see the ABOUT COMPANY section.<\/p>\n

I prepared the light setting for 6 consecutive Polish exhibitions of the World Exhibition of Stage Design and Theater Architecture Quadriennale in Prague.<\/p>\n

Together with the OTO team, I prepared and realized the technical setting (lighting, sound system) of the Polish Pavilion at Expo 2000 in Hannover and the handling of all events that took place there every day for a period of 6 months. During the realization of the Expo 2000 I cooperated with excellent stage designers: Andrzej Kre\u00fctz-Majewski and Boris Kudliczka, authors of the Polish Pavilion project.<\/p>\n

Photography has always accompanied me, at one time I directed it towards theater photography. This allowed me to combine my two greatest passions: theater and photography. I realize a variety of photographic projects with a theatrical theme. I would like to bring theater lovers closer to the backstage of the theater, the actor’s work on a role, the process of creating performances, disappearing theater crafts and show theater artists at work….<\/p>\n

In the meantime, I completed postgraduate studies at the SWPS Humanities University – Laboratory of New Theatrical Practices (modules: Dramaturgy, Innovative Artistic Practices, Producer\/Curator, Theater as a Project and New Technologies and Languages).<\/p>\n

I attend press rehearsals before new premieres. Often my photography projects will be accompanied by conversations with creators, actors, dancers and theater professionals. I take photos during performances, during read-throughs, situation rehearsals and\u00a0 dress rehearsals: https:\/\/photo-oto.com<\/a> and https:\/\/photo-oto.com\/teatr\/<\/a> ..<\/p>\n

I am passionate about working to document the entire creative process from the first read-through rehearsal to the premiere. In February 2015, I completed a multi-stage photography project in which I documented the entire creative process of the Machulski Acting School’s graduation play „Cold Child” with my camera.\u00a0 The play was written by popular German playwright and dramatist of the younger generation Marius Von Mayenburg. The play was directed by Krzysztof Og\u0142oza, an educator at the Acting School.<\/p>\n

In the period of 13.03 – 17.05.2018, with a camera, I assisted at the Polish Theater in Warsaw with all rehearsals of the play „The King” based on the novel by Szczepan Twardoch, adapted by Pawel Demirski. The play was directed by Monika Strz\u0119pka.
For years, the condition of theaters has been weakening, and over the last year of the COVID-19 pandemic it has critically worsened, which is why I created and run PRO BONO group TEATR (https:\/\/www.facebook.com\/groups\/919333224793302<\/a>) under the slogan SAVE THEATERS, which supports the activity of theaters and theater artists in their fight for survival.<\/p>\n

Tomasz Ostrowski.<\/em><\/p>\n

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